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The Ordinary World in TAKEN 2 (2012) is the USA and specifically Lenore's
home, Bryan at home with his buddies and Kim at home with her new boyfriend.
The physical Call to Adventure is the encouragement to come to Istanbul,
which is leaving the Ordinary World.
Each archetype has a psychological Call To Adventure, for example:
Bryan's psychological Call to Adventure is to let Kim go, give her space,
let her grow up.
Kim's psychological Call to Adventure is to grow up, a metaphor for which
is the driving lessons.
Lenore's psychological Call to Adventure is to leave her old attachment
behind (forget about the ex-husband) and get back together with Bryan.
The supernatural aid / mentor in TAKEN 2 (2012) is Bryan instructing his
daughter on the boat about the old and new worlds (Asia and Europe).
And then later on the Road of Trials, teaching her how to throw
explosives and race across the city to find him.
The Crossing of the First Threshold in TAKEN 2 (2012) is the old world
bazaar, which Bryan and Lenore drive across the bridge to get into.
Psychologically, it's the border of change, which is the conversation
they're having in the car at that point in the story.
The Belly of the Whale in Taken 2 (2012) is demonstrated by the
containment / lock-in of
a) Bryan in the back of the car while he's counting,
b) Kim in the closet
The Road of Trials in Taken 2 (2012) is Kim following Bryan's
instructions, leaving the hotel, running across the city, learning to throw
explosives, finding her father, getting a gun to him etc...
For Bryan, the Road of Trials stages involve him getting free from the
chains before his wife drowns in her own blood.
For Lenore, the provocation of having her throat cut and left to drown in
her own blood etc will result in her later readiness.
Psychologically, all archetypes are pulling away from their Ordinary
Selves.
The Meeting with the Goddess stage in Taken 2 (2012) is Bryan's rescue of
his daughter on the rooftop, moments before she is to be assassinated.
You can equate this directly with Star Wars (1977), where Luke enters the
detention centre to rescue Leia, who is scheduled to be assassinated.
The Woman as Temptress stage in Taken 2 (2012) is where Kim drives the
car and they get away from their pursuers, crossing the railway line.
These sequences encompass the Near Death Experience and the emergence of
the New Self - Kim changes from an innocent girl who couldn't drive to the more
grown up girl who..."you can do it!"
The apotheosis in Taken 2 (2012) is the exit from the older state of
danger - Kim will be safe at the US Embassy.
It's also encompassed by Bryan being able now, unrestricted, to "do
what he does best."
These sequences cross over with the Ultimate Boon.
The ultimate boon here is readiness.
When Bryan and Lenore crossed into the First Threshold, he asked her if
she was ready. She wasn't.
Now, after all the provocations, she is ready, as is demonstrated by her
response, "at least my daughter's safe!"
Outer challenge-wise, after Bryan safely delivers Kim to the US Embassy,
he has to go back to find his wife and ensure these people never bother them
again. He cannot go home yet.
Inner challenge-wise, these are the limitations which prevent him and Kim
returning home - having to rescue Lenore.
Outer challenge-wise, the magic flight is Bryan recalling his way back to
where he was held captive.
His memory or ability to do this is a form of magical gift.
Inner challenge-wise, the rescue from without is,
a) the overcoming of limitations to finding Lenore.
b) finding Lenore before she is murdered (dastardly deed function).
Physically, this is Bryan giving the antagonist father archetype (Murad)
a chance to let go and live a peaceful life and then turning his back on him.
Unfortunately, the Id needs to be repressed before the complete return is
possible, so Murad goes back on his word and has to be killed.
This is the conquest of monsters / letting go of limitations, which
represented the old self.
Kim passes her driving test and Bryan accepts her new boyfriend at the
table.
Where archetypes are no longer bound by their older innermost fears.
Bryan is no longer afraid to let Kim go, is no longer afraid of who her
new boyfriend may be or what may happen etc.
Kim is no longer afraid of what her father may say etc.
Lenore is no longer afraid Bryan may not be able to change etc.
For a detailed deconstruction, learn more at ../index.html
and order from ../CustomServices.html
by Kal Bashir